
Forbidden City (Palace Museum)
The world's largest palace complex
The Forbidden City, also known as the Palace Museum, served as the imperial palace for 24 emperors during the Ming and Qing dynasties (1420-1912). This architectural masterpiece measures 961 meters from north to south and 753 meters from east to west, covering 720,000 square meters. Surrounded by walls approximately 10 meters high, it contains over 980 buildings with 8,700+ rooms, making it the largest palace complex in the world. Its name derives from the fact that commoners were forbidden to enter during imperial times.
Recognized in 1987 for its outstanding universal value and exceptional preservation
720,000 m² with 980+ buildings and 8,700+ rooms - the world's largest palace
Home to 24 emperors across 500 years of Ming and Qing rule
Over 1.8 million cultural relics including paintings, ceramics, and jade
Traditional wooden structures built without nails, showcasing ancient Chinese engineering
A 600-Year Imperial Legacy
Built between 1406 and 1420 during Emperor Yongle's reign, the Forbidden City took over 1 million workers and craftsmen to complete. It served as the political center of China for nearly 500 years, witnessing the rise and fall of the Ming and Qing dynasties. In 1925, it was converted into the Palace Museum, opening its doors to the public for the first time in centuries.
Imperial Chinese Architecture and Symbolism
The Forbidden City represents the pinnacle of traditional Chinese palatial architecture. Its layout follows ancient Chinese principles of geomancy (feng shui) and cosmic order, with a north-south axis symbolizing the emperor as the 'Son of Heaven' connecting earth and sky. The yellow glazed roof tiles, exclusive to imperial buildings, represent the emperor's supreme status, while the intricate dragon and phoenix motifs symbolize imperial power and the empress.
Architectural Masterpiece
The palace complex is divided into two main sections: the Outer Court (administrative area) and Inner Court (residential quarters). Built entirely of wood without using a single nail, the structures showcase extraordinary craftsmanship and engineering. The Hall of Supreme Harmony, the largest wooden structure in China, sits at the heart of the complex, where major ceremonies took place.
Practical Information
Everything you need to know before your visit
Must See at Forbidden City (Palace Museum)
Don't miss these highlights during your visit
Meridian Gate (Wu Men)
The main southern entrance and largest gate of the Forbidden City. Emperors announced calendar and military victories here. Five arches represent the five Confucian virtues.
Hall of Supreme Harmony (Taihe Dian)
The largest and most important hall where emperors held grand ceremonies, coronations, and state events. Standing approximately 30 meters tall on a three-tiered white marble platform, it houses the iconic Dragon Throne. Built during Emperor Yongle's reign and rebuilt during Kangxi period after fire damage. The hall features elaborate dragon motifs on columns, ceiling caissons, and screens, symbolizing supreme imperial power.
Hall of Preserving Harmony (Baohe Dian)
Site of imperial examinations (highest-level palace examination) during Qing dynasty. Similar in style to the Hall of Supreme Harmony but smaller, featuring a throne inside. The rear stairway showcases the largest carved stone slab in the palace (over 200 tons), depicting dragons among clouds. Also served as a venue for ceremonial rehearsals and imperial banquets.
Palace of Heavenly Purity (Qianqing Gong)
The largest hall in the Inner Court, located on the northern end of the central axis. During the Ming Dynasty, it served as the emperor's bedroom with nine rooms and 27 beds (emperor would randomly choose a different bed each night for security). After Emperor Yongzheng of Qing Dynasty, emperors moved to the Hall of Mental Cultivation (Yangxin Dian), and this palace became a venue for receiving ministers, holding audiences, and state banquets. The famous plaque 'Upright and Bright' (正大光明) hangs above the throne, symbolizing just and honest imperial rule.
Imperial Garden (Yu Hua Yuan)
Located at the northernmost end of the central axis, this elegant garden served as the private recreational space for emperors and empresses for reading, tea appreciation, and strolling. Though compact, it showcases masterful layout integrating buildings, rockeries, and water features. Key structures include Qianqiu Ting (Pavilion of Thousand Autumns, square plan with circular roof), Chengrui Ting and Fubi Ting (twin pavilions flanking small arched bridges over square fish ponds), and Jiangxue Xuan (Bower of Crimson Snow, where Kangxi and Qianlong composed poetry). The garden features ancient cypress trees over 400 years old and symmetrical four-corner pavilions forming a balanced composition with the central axis buildings.
Treasure Gallery
Located in the Ningshou Palace area, this exhibition showcases approximately 400 exquisite pieces carefully selected from the Palace Museum's collection of over 1.8 million artifacts. The gallery is divided into themed sections: jewelry, gold and silverware, jade artifacts, and gemstone bonsai. Notable treasures include the Phoenix Crown of Empress Xiaojing (height 35.5cm, weight 2.95kg, adorned with over 3,400 gemstones and pearls - considered one of China's finest phoenix crowns), the Gold 'Everlasting Unity Cup' (pure gold with elephant trunk feet, twin dragon handles, inlaid with pearls and sapphires), and magnificent jade mountain carvings depicting landscapes and figures. Separate ticket required (¥10).
Clock Exhibition Hall
Located in the former Fengxian Hall area and opened to the public on January 17, 2019, this exhibition features 82 exquisite timepieces from the 18th and 19th centuries - including 21 Chinese-made clocks and 61 Western clocks from Britain, France, and Switzerland. Many pieces feature complex mechanical systems such as writing automatons, moving figurines, elephant-drawn carriages, and combined functions of timekeeping, music performance, and animated displays. The Qing emperors were particularly fascinated by these mechanical wonders. Separate ticket required (¥10).
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